Thursday, July 9, 2009

Breakfast At Perry's




Breakfast At Perry's, 9 x 12 inches, oil on linen

So, the cityscapes are evolving. Recently I've been re-examining how I use the brush, and trying out different ways of laying down paint onto the surface. I've also been revisiting brushes that I bought long long time ago and have forgotten that I even had them.

Changing tools changes everything! It's a good way to shake things up when you get into a little rut. Not that I was in a rut just now, but I do like mixing things up and trying new things just to see if I can make new discoveries.

In this particular painting, I used mostly softer brushes which gave me more precision when laying down sharp edges. Typically, When I paint landscapes I use soft/broken edges as a default and bring out the sharp edges where I need to emphasize something. I tried reversing that "rule" for this one. It is painted mostly with sharp edges, and softer edges represent only a small percentage. Most of what looks like soft edges are in fact sharp notes with close value transitions; they just look like soft edges.

I'm liking this new (new to me, that is) way of looking at my edges. The decision making feels a little more subjective somehow. It's worth digging deeper.

7 comments:

Giovanni Pasini said...

love it..

painterchum said...

mmm, this is an exciting little painting. love your punchy values, decisive and sure.

Thomas said...

Yes sir. And your shapes are nicely abstracted.
I often go back and forth with soft and stiff brushes (sable/bristle), but what's also interesting is the way different brush shapes effect the painting (bright/round/etc).

What shapes are you using?

Carolann said...

I also wondered if you used round or filbert brushes, hogs hair or nylon? Anyhow the painting is great.

Terry Miura said...

Thanks Giovanni!

Terry Miura said...

Thanks Sally~ just what I needed to hear :-)

Terry Miura said...

Thomas, Carolann, I am currently using mostly Utrecht bristle flats for the stiff, and Langnickel brights for the soft. I believe Langnickel is a mongoose hair brush.

Every so often I'll switch brushes and paint with only filberts or only rounds, and switch to something else after a year or so. Keeps things interesting. The only nylon brushes I use are 2 inch house painting brushes that I use for washes on big canvases.